The following is presented as-is. In the future, POEE will look into
obtaining the complete version mentioned by the compiler. -- Yohan
The Arabian Nights
Introduction
This is the "original" translation of the Arabian Nights
into English, made by Sir Richard Francis Burton.
I first got interested
in the Nights when they were mentioned en passant by Arno Schmidt; some time
later, the person of Richard Francis Burton was driven into my consciousness by
being resurrected in P.J. Farmer`s ``Riverworld''. A few years ago, I worked
myself through the first two volumes of Burton's n+k-volume edition of the
Nights (published in Madras or some such place). It was an arduous reading
experience (of course the surroundings didn't help; the Staatsbibliothek doesn't
like rare books to leave the reading hall ;-). To my knowledge, there is no
edition of Burton's translation in print right now. I was therefore delighted to
lay my hands on the original flat ASCII text (you can get it from a gopher server). I have HTML'ed
the text and split it up to make it better readable.
Before diving into the Universe of the Nights, you should take heed of this
Warning! These texts might not be suitable for children or PC-challenged
adults; they contain racist, sexist, and speciesist¹ language and contents.²
Burton's translation is not unchallenged -- quite to the contrary, modern
translators consider it very opinionated and tinted by his prejudices.
To get an impression of Burton's style and mind-set, as well of Arabian
culture a century years ago, you might want to read his ``Travel to Mecca and
Medina''. Burton was one of the first Englishmen to make the hadj and report
about it. (I have read the Dover edition years ago. Anyone knows whether there
is a online edition of this travelogue?) The Encyclopedia Britannica contains a good
article on him, which notes: He also published openly, but privately, an
unexpurgated 16-volume edition of the Arabian Nights (1885-88), the translation
of which was so exceptional for its fidelity, masculine vigour, and literary
skill that it has frightened away all competitors. [...] His Nights were praised
by some for their robustness and honesty but attacked by others as "garbage of
the brothels," "an appalling collection of degrading customs and statistics of
vice.".
Tim Spalding's Burton site with some excellent links can be found here.
The Nights have a deeply nested structure; they are often stories within
stories within stories. The different sections are of greatly varying length;
the smallest one is just above 700 words, the largest is nearly 40,000 words.
(In case your connection is slow (or our connection has been cancelled due to
too many people reading this page ;-), that translates to byte counts between 3k
and 214k, for a total 1.2 Mbyte.) I plan to re-arrange this index so as to
reflect this nested structure. Also, there will be a short synopsis for each
story.
This version of the text omits some material. The different nights (i.e., the
cliff hangers) are not spelled out explicitly. All footnotes, which, while not
strictly being part of the text, make out at least 40 per cent of Burton's
translation (they usually fill the lower third of each page, and are set in a
much smaller type), are missing. If someone can turn up an electronic version
that is more complete, I am more than willing to upgrade to it.
- Intro Story
- King Shahryar decides that all women are inherently unfaithful, and ("to
make sure of his honor") starts murdering each wife after the wedding night.
This goes on for three years. The king's wazir has problems getting new women,
and tells his plight to his daugher Scheherazade, who offers herself as bride
for the night. The wazir recounts a warning story:
- The Tale Of The Bull
And The Ass
- This small story has a happy end that involves the protagonist learning
about "family discipline" (i.e., beating a wife that asks too much).
Somehow, this fails to convince Scheherazade that she should obey
her father. After some ado she gets married to the king (rather, she is
transported into his bedroom; there is not much ceremony involved). After the
act, her sister Dunyazade (don't ask how she got into the bedroom ;-)
feints sleeplessness (I would be sleepless too, if my sister was scheduled for
decapitation in the morn) and asks Scheherazade to tell a story. The king
can't sleep either; and so begins the mother of all cliff-hangers, with the
story of
- The Fisherman And The
Jinni
- Fisherman finds jar which holds Jinni and frees him; Jinn leads Fisherman
to a pond containing magic fish; Fisherman sells a fish to Sultan; Fish
exhibits strange properties when being fried; Sultan wants to know the story
behind the fish, walks through the desert and finds a palace whose only
occupant is a young man that is handicapped: his lower half is transformed to
stone. The young man tells the story of his life:
- The Tale Of The
Ensorceled Prince
- Again, a young prince with an unfaithful wife (his cousing, even).
Prince nearly slays wife's lover without her knowing it; she mourns for
three years under a pretense and builds a tomb wherein she takes her sick
and mute-stricken lover. Finally, all comes out; wife curses prince into
half-stone-ness and, being into it, transforms the city into a pond and its
citizens into fish. From then on, the young prince is tormented daily by his
wife.
The sultan kills the sick lover (great deed, that!), removes
the body, positions himself in his stead (bad lightning conditions,
obviously), tricks the evil wife into re-transforming prince and people, and
finally kills her. Happy end, next story:
- The Porter And The
Three Ladies Of Baghdad
- Three ladies throw a party with seven guest, amongst them three one-eyed
men (the ``kalandar''s from the next three stories), a porter, and the Caliph
Harun Al Rashid (incognito, as usual) with two of his friends. The ladies
exhibit some eccentric behaviour that involves some black bitches, the guests
are becoming nosy, and everyone tells a tale:
- The First Kalandar's
Tale
- Young prince (aren't they all?) helps his cousin and a mystery woman to
disappear in a tomb; the prince is evicted from his place after the new
ruler monoculizes him; prince and father of cousin open the tomb, find
inhabitants stricken dead; prince has to flee a second time.
- The Second Kalandar's
Tale
- Now here is some action! A prince gets mugged in faraway lands, has to
work as a woodcutter. After a year, he finds a hidden entry to an
underground cave. In the cave is a woman snapped away by an evil jinn on her
wedding night -- 25 years ago (can't be too fresh, that gal). After one
night of debauchery, the (now drunken) prince summons the jinn, who (after
some ado) kills the woman, transforms the prince into a baboon and abandons
him on a distant mountain. In this form, the prince walks to the nearest
coast and is picked up by a ship. At the next harbour, the resident king
seeks a new scribe, and the baboon/prince manages to get the job. The king's
daughter, well-versed in magic, recognizes the prince in the ape, summons
the jinn, fights him to the death in an hour-long dramatic magic duel
(involving form-changes, the baboon losing one eye, a eunuch his life, and
the king half his teeth and his beard), de-polymorphs the prince, then dies
herself.
- The Third Kalandar's
Tale
- This sea-piece starts off with nothing less than the sinking of The
Magnet Mountain (TM). The sole survivor and teller of the tale (need I say
he is a prince?) swims to a small island, in the midst of which is a yet
another buried trapdoor that opens to a staircase that leads down to a
subterranean hall where a youth resides in luxury. One self-fulfilling
prophesy later, the prince leaves the island and reaches the mainland, where
he stumbles through a desert ere he reaches a palace. In the palace live ten
one-eyed youths. In the course of a story too complicated to tell here (but
it should be mentioned that it involves a Roc, 40 princesses, 39 allowed and
one forbidden room, and a Pegasus), the prince loses his eye and leaves for
Bagdad.
This concludes the group of the three Kalandar's tales. The
seven guests of the three ladies leave the house. On the next morning, Harun
Al Rashid summons the ladies so as to inquire about their strange behaviour.
- The Eldest Lady's
Tale
- advises us about separation of goods in matrimony, and tells us about
the dangers of fire-worship. Also, that it is a good idea to learn to swim.
Btw, the bitches are the jealous sisters of the eldest lady, transformed by
a thankful djinn.
- The Tale Of The Three
Apples
- Again, a story of crime, blood and gore! One night, Caliph Harun al-Rashid
finds a chest containing the dead body of a girl, cut into no less than 19
pieces. The murderer is found and tells his story: Mislead by a slave, he
killed the girl (his wife) in a fit of rage over her alleged unfaithfulness,
which he later finds out to be groundless. There is also a nice subplot on how
"sitting out" problems is fine if Allah is with you. (This story is
interesting in how it depicts the legendary ``justness'' of Harun al-Rashid.
Maybe life was different in a time when ``easy to take offense, easy to
forget'' was an accepted behaviour model.) The story ends with the murderer
buying his life with - you gess it- a strange story:
- Tale of Nur Al-Din
Ali and his son Badr Al-Din Hasan
- This large tale (20k words) starts off with one of the most bizarre
quarrels I'v ever heard of: two brothers contending over the dower of their
to-be-married children -- which aren't even conceived yet! The brothers part
in anger; one of them stays in Cairo and marries a merchant's daughter, the
other leaves for the wide world, but doesn't get beyond Basra, where he
marries a Wazir's daughter, and settles down. Of course, the brothers
simultaneously sire a matching pair of children. 20 years later, the exiled
brother dies, his son falls from the local Sultan's favor, and a pair of
djinns carry him to his cousin (who is to be married to a hunchback that
very night) and manage to slip him into the wedding bed (this involves a
scene of high drama on the loo). Next morning the boy wakes up without
clothes in Damascus, and the girl wakes up pregnant, with his gear beside
her bed. Her son is born and grows up, fatherless. Ten years pass ere the
grandfather of the kid (aka, the surviving brother) takes his daughter and
her son on a journey to Basra, to find the father. Of course, they pass
through Damascus; of course, the boy meets his father (who now works as a
cook) by pure coincidence, but doesn't recognize him as such. In Basra, they
pick up the wife of the dead brother, and travel back via Damascus, where
said wife finds the lost son by means culinary. The story closes with an
extended happy end.
(bookmark)
- The City Of
Many-Columned Iram And Abdullah Son Of Abi Kilabah
- A small and rather bland treasure-city-in-the-desert story, with an end
that looks like it has been added from a different story.
- The Sweep And The
Noble Lady
-
- The Man Who Stole The
Dish Of Gold Wherein The Dog Ate
-
- The Ruined Man Who
Became Rich Again Through A Dream
-
- The Ebony Horse
-
- The Angel Of Death
With The Proud And The Devout Man
-
- Sindbad The Seaman And
Sindbad The Landsman
-
- First Voyage Of
Sindbad Hight The Seaman
-
- The Second Voyage Of
Sindbad The Seaman
-
- The Third Voyage Of
Sindbad The Seaman
-
- The Fourth Voyage Of
Sindbad The Seaman
-
- The Fifth Voyage Of
Sindbad The Seaman
-
- The Sixth Voyage Of
Sindbad The Seaman
-
- The Seventh Voyage Of
Sindbad The Seaman
-
- The Lady And Her Five
Suitors
-
- Khalifah The Fisherman
Of Baghdad
-
- Abu Kir The Dyer And
Abu Sir The Barber
-
- The Sleeper And The
Waker
-
- Story Of The Larrikin
And The Cook
-
- Aladdin; Or, The
Wonderful Lamp
- (a monster of a story, nearly 40,000 words)
- Ali Baba And The Forty
Thieves
-
- Conclusion
¹ Do Djinns belong to another species than humans (they can interbreed with us,
can't they?) or another phylum, or are they throroughly non-organical (they are
made from fire, while man was made from earth)? Inquiring minds want to know.
² There are also some rather violent scenes, but political correctness does
not seem to extend to that area.
Comments and mark-up (c) 1994-1997 mfx@dasburo.com / last edit: 97-04-20 /
Comments and corrections welcome.